Parasite Crowned NYT’s Best Film of the 21st Century—How Korean Cinema Conquered the World

Parasite Tops the NYT’s 21st Century Best Films List

Did you know that Bong Joon-ho’s Parasite was recently crowned the number one film of the 21st century by The New York Times? This isn’t just a win for Bong or Korean cinema—it’s a moment that redefines what global audiences value in storytelling. Parasite’s darkly comedic take on class divides and its scathing critique of neoliberalism have resonated far beyond Korea, sparking conversations about inequality and the human condition everywhere. The NYT praised the film for its ‘ferocious indictment of neoliberal brutality’ and its ability to blend humor, suspense, and shocking tragedy in a way that feels both universal and deeply Korean.
Parasite’s global journey began with its Palme d’Or win at Cannes in 2019 and reached a fever pitch at the Oscars, where it made history as the first non-English-language film to win Best Picture. But its legacy didn’t stop there. The film’s continued recognition by critics, filmmakers, and fans alike shows just how much the world has embraced K-cinema as a force for bold, original storytelling.

Why Parasite Resonates Globally: The Power of Korean Storytelling

What makes Parasite so universally relatable? It’s the film’s razor-sharp social satire, its unpredictable plot, and the way it refuses to fit neatly into any one genre. Bong Joon-ho’s signature style—moving effortlessly between comedy, drama, and horror—keeps audiences on the edge of their seats. International viewers have found themselves drawn to the Kim family’s cunning, the Park family’s obliviousness, and the film’s ultimate message about the cost of social mobility. For many, Parasite is more than just a movie—it’s a mirror reflecting the anxieties and hopes of a rapidly changing world.
Western critics have highlighted how Parasite’s themes echo the growing disillusionment with economic systems everywhere. Fans on global blogs and forums often share how the film made them rethink their own societies, making Parasite a true cultural touchstone.

Other Korean Films in the NYT Top 100: Memories of Murder and Oldboy

Parasite isn’t the only Korean film making waves. Bong Joon-ho’s earlier masterpiece, Memories of Murder, also made the NYT’s list, coming in at 99th place in the critics’ poll and rising to 49th in the readers’ poll. This film, based on Korea’s infamous Hwaseong serial murders, is celebrated for its unique blend of dark humor, suspense, and a haunting look at evil. The NYT noted how Bong’s approach breaks away from Hollywood conventions, using humor and drama to explore the limits of humanity.
Park Chan-wook’s Oldboy, ranked 43rd by critics and 40th by readers, is another standout. Its iconic corridor fight scene and operatic violence have become legendary among cinephiles. Oldboy’s twisted narrative and emotional depth have inspired countless filmmakers and sparked passionate discussions among fans worldwide.

How Korean Cinema Became a Global Phenomenon

Korean cinema’s rise didn’t happen overnight. For years, directors like Bong Joon-ho and Park Chan-wook have been pushing boundaries, blending genres, and telling stories that challenge both local and international audiences. The success of Parasite and its peers is rooted in a uniquely Korean perspective—one that’s unafraid to tackle taboo subjects, experiment with form, and inject biting social commentary.
International film festivals, streaming platforms, and social media have all played a role in amplifying K-cinema’s reach. Fans from the US to Europe and Latin America now eagerly await new releases from Korean directors, and discussions about K-movies are a staple on platforms like Reddit, Twitter, and Naver blogs.

The Cultural Context: Why K-Movies Matter to Global Audiences

For overseas fans, understanding the cultural context behind films like Parasite and Oldboy adds a whole new layer of appreciation. Korean society’s rapid modernization, its struggles with class and generational divides, and its history of political upheaval are all woven into these stories. Parasite’s depiction of basement apartments, for example, is a nod to real-life housing issues in Seoul. The film’s humor and pathos reflect a uniquely Korean sensibility, but its core message is universal.
International fans often discuss how K-cinema’s willingness to confront uncomfortable truths sets it apart from Hollywood. On Tistory and Naver blogs, viewers share personal stories about how these films made them reflect on their own lives and societies.

Fandom and Community: How Global Audiences Engage with K-Cinema

The global K-movie fandom is passionate, creative, and deeply engaged. Fans produce essays, fan art, and even organize watch parties for films like Parasite and Oldboy. On English-language blogs and social media, discussions often dive into the symbolism, directorial choices, and cultural references found in these films. Overseas viewers love to decode the hidden meanings and debate the ambiguous endings that are a hallmark of Korean storytelling.
For many, discovering K-cinema is a gateway to exploring Korean culture more broadly, from music and food to language and history. The sense of community among fans has helped sustain the global popularity of Korean films, making every new release an event.

Industry Impact: What Parasite’s Success Means for the Future of Film

Parasite’s triumph at the NYT and its ongoing critical acclaim have set a new benchmark for international cinema. Hollywood studios and streaming giants are now investing more in Korean content, and directors like Bong Joon-ho are fielding offers from around the world. The film’s success has also inspired a new generation of filmmakers, both in Korea and abroad, to take creative risks and tell stories that defy convention.
Industry insiders note that the NYT’s list reflects a broader shift in global film culture—one where language barriers matter less, and audiences are hungry for fresh perspectives. Parasite’s win is a testament to the power of storytelling to transcend borders.

What’s Next for Bong Joon-ho and Korean Cinema?

With Parasite’s legacy secure, fans are eagerly anticipating Bong Joon-ho’s next projects. Rumors of sequels and new films have the global film community buzzing. Meanwhile, other Korean directors are breaking new ground, and the world is watching. The NYT’s recognition is not just a personal victory for Bong or Park Chan-wook—it’s a sign that Korean cinema has truly arrived on the world stage.
If you haven’t explored K-movies yet, now’s the perfect time. Dive into Parasite, Memories of Murder, Oldboy, and beyond. You’ll find stories that are thrilling, thought-provoking, and unforgettable.

Final Thoughts: The Enduring Power of Korean Storytelling

The NYT’s selection of Parasite as the best film of the 21st century is more than just an accolade—it’s a celebration of the bold, innovative spirit that defines Korean cinema. For global audiences, these films offer a window into a society grappling with change, but also a mirror reflecting universal truths. As K-movies continue to break new ground, one thing is clear: the world is ready for more stories from Korea.